THE EYE IS THE FIRST CIRCLE

The Eye is the First Circle was developed in residence at the Alexander Kasser Theater, Montclair State University

World Premiere

PEAK Performances at Montclair State University

October 14-17, 2021

With The Eye Is the First Circle, Simone Dinnerstein ventures into bold interdisciplinary artistic territory in collaboration with projection designer Laurie Olinder and lighting designer Davison Scandrett. Conceived and directed by Dinnerstein, this dynamic production deconstructs and collages elements from two iconic works of art: her father Simon Dinnerstein’s painting The Fulbright Triptych and Charles Ives’s Piano Sonata No. 2 (Concord). The Fulbright Triptych places a family portrait (including an infant Simone) within the tradition of Medieval altar paintings, against a wall teeming with art historical references, and the Concord Sonata expresses the imaginative and natural world of the Transcendentalists through an ecstatic and fractured musical lens. Olinder pulls visuals including animated elements of the painting and real-time video to all points of the stage, and Scandrett’s lighting gives them breathtaking theatricality. Dinnerstein’s searching performance sits within this disorientingly immersive visual space. The piece asks: How do our origin stories mold us? How can a sense of self come from the musical and visual fragments we remember from childhood? The Eye is the First Circle shows us what it is to draw a new circle around the one we stand in, at the edge of what we can see.

CONCEIVED, DIRECTED AND PERFORMED BY SIMONE DINNERSTEIN

VISUAL DESIGN BY SIMONE DINNERSTEIN AND LAURIE OLINDER, WITH DAVISON SCANDRETT AND SIMON HARDING

FEATURING THE FULBRIGHT TRIPTYCH BY SIMON DINNERSTEIN AND PIANO SONATA NO. 2, THE "CONCORD" SONATA BY CHARLES IVES

LAURIE OLINDER, PROJECTION DESIGNER

DAVISON SCANDRETT, LIGHTING DESIGNER

SIMON HARDING, ASSOCIATE VIDEO DESIGNER/ENGINEER

BETSY AYER, PRODUCTION MANAGER/STAGE MANAGER